![]() In short, Isee the novel’s identity as a transformative one. Furthermore, I take into account the novel’s love triangles, which connect the two intertexts. A comparative analysis can thus trace the author’s more-or-less unconscious cultural influences from Japan (the myth of Izanagi) and the West (Orpheus). First of all, my purpose is to extend the intertextual reading by bringing into the equation the Japanese version of. I try to find a wayout by looking more thoroughly into the Orphic legacy of the novel than has been doneup to now by Japanese scholars. This article addresses the debate on the ‘Japanese identity’ of Norwegian Wood, which-though popular-is often conducted in an intuitive fashion. ![]()
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